This course from the University of London explores critical thinking, and the interpretation of texts, through the Shakespeare authorship question. Using doubt about Shakespeare’s authorship as our playground, we will explore the key concept of authorship attribution, while developing skills in literary analysis, interpretation, and argument. Through forensic exploration of key texts, you will learn why Shakespeare’s authorship is questioned, and what evidence is cited on both sides of the debate.
For those of you interested in exploring the works of Shakespeare from a new angle, or just wanting to hone your analytical thinking skills, this course offers an introduction to a fascinating area of interest. Those of you already interested in the Shakespeare authorship question will be encouraged to question your own assumptions in fruitful ways. Whether undertaken as a standalone course, or as preparation for the University of London BA in English, this course will be food for thought.
This week is a practical introduction to the Shakespeare authorship question, covering terms and concepts you will use and outlining the basic arguments for and against William Shakespeare’s authorship of the works attributed to him. You will learn a framework for understanding how a person’s perceptions (including your own) are shaped by pre-existing beliefs and assumptions and learn how this might impact your ability to interpret and assess literary and historical evidence. You will then be introduced to a key theory of the authorship question and to the first practical exercise in close-reading a relevant text.
A 1.4 The role of belief in interpretation•9 minutes
A 1.5 Interview with Kris De Meyer Part 1•11 minutes
A 1.6 Interview with Kris De Meyer Part 2•10 minutes
A 2.1 "Shakespeare wrote Shakespeare"•7 minutes
A 2.2 The "man-shaped hole"•10 minutes
A 2.3 Personal vs Impersonal Testimony•10 minutes
A 2.4 Literary Paper Trails•10 minutes
A 3.1 Shakspere as a broker•8 minutes
A 3.2 The Shakespeare Apocrypha•9 minutes
A 3.3 Was Shakspere a Playbroker?•9 minutes
A 3.4 Thomas Heywood and 'The Author'•7 minutes
A 4.1 Ben Jonson's poem 'On Poet-Ape' - An Introduction•4 minutes
A 4.2 "On Poet-Ape" - Textual Analysis•10 minutes
A 4.3 Shakespeare in the Parnassus Plays•10 minutes
A 5.1 Interview with Professor William Leahy Part 1•5 minutes
A 5.2 Interview with Alexander Waugh Part 1•8 minutes
A 5.3 Interview with Sir Mark Rylance Part 1•10 minutes
A 5.4 Interview with Sir Mark Rylance Part 2•10 minutes
A 5.5 Module Summary•3 minutes
4 readings•Total 40 minutes
A 1.2 Terms of Reference•10 minutes
A 2.5 Absence of Evidence•10 minutes
A 3.6 Addendum•10 minutes
A 4.4 Is John Marston a strong contender for Poet-Ape?•10 minutes
5 assignments•Total 150 minutes
A 1.3 Starting Point•30 minutes
A 1.7 The effect of belief on interpretation•30 minutes
A 2.6 The main arguments•30 minutes
A 3.5 Broker theory•30 minutes
A 4.5 Analysis of 'On Poet-Ape'•30 minutes
1 discussion prompt•Total 10 minutes
(Optional) A 5.6 Does the authorship question matter?•10 minutes
The Man and the Author
Module 2•5 hours to complete
Module details
In this module we’ll look at questions of identity; chiefly at arguments that attempt to link William Shakspere the man to William Shakespeare the author – or to sever that link. The arguments surrounding “Hand D” in Sir Thomas More claim to establish a firm link between Shakspere and Shakespeare, and Shakespeare’s authorship of the “Hand D” pages is now being presented as fact, so it’s important to understand the evidence, arguments, and reasons for this attribution. You’ll look in detail at the non-Stratfordian argument that Shakespeare authorship doubt was first expressed within only four years after the first “Shakespeare” publication in the works of John Marston and Joseph Hall. You’ll consider some of the key Stratfordian and non-Stratfordian arguments related to William Shakspere’s coat of arms. And lastly, you’ll look critically at an important cornerstone of Shakespeare biography, Robert Greene’s reference to a plagiarising actor, the “upstart Crow”.
B 1.1 Shakespeare and the Hand D additions to Sir Thomas More•4 minutes
B 1.2 Hand D - Handwriting Argument•9 minutes
B 1.3 Hand D - Spelling Argument•6 minutes
B 1.4 Hand D - Content Argument•7 minutes
B 1.5 Hand D - Author or Scribe?•8 minutes
B 2.1 A Hidden Author?•9 minutes
B 2.2 Marston and Hall - Labeo Part 1•11 minutes
B 2.3 Marston and Hall - Labeo Part 2•11 minutes
B 2.4 'Concealed Poets' and 'Our English Terence'•7 minutes
B 2.5 Does Hyphenation Imply Anonymity?•5 minutes
B 3.1 'Not Without Right' - Shakspere's Coat of Arms•5 minutes
B 3.2 Coat of Arms - Insulso Sogliardo•9 minutes
B 3.3 Coat of Arms - The Authorship Argument•6 minutes
B 4.1 The Upstart Crow - Allusion or Illusion?•3 minutes
B 4.2 Was Groats-worth Greene's?•4 minutes
B 4.3 The Upstart Crow as Edward Alleyn•9 minutes
B 4.4 Shake-scene and the 'Tiger's Heart'•8 minutes
B 5.1 Interview with Sir Mark Rylance Part 3•9 minutes
B 5.2 Interview with Gregory Thompson Part 1•8 minutes
B 5.3 Interview with Professor William Leahy Part 2•7 minutes
B 5.4 Interview with Professor William Leahy Part 3•9 minutes
B 5.5 Module Summary•3 minutes
2 readings•Total 40 minutes
B 1.6 For and Against "Hand D = Shakespeare"•30 minutes
B 4.6 Addendum•10 minutes
4 assignments•Total 100 minutes
B 1.7 Shakespeare and 'Hand D'•10 minutes
B 2.6 16th Century Authorship Doubt•30 minutes
B 3.4 Shakspere's Coat of Arms•30 minutes
B 4.5 The Upstart Crow•30 minutes
1 discussion prompt•Total 10 minutes
(Optional) B 5.6 A Different Poet-Ape?•10 minutes
The Evidence from Stratford-upon-Avon
Module 3•5 hours to complete
Module details
In the module, you will look more deeply at the connection between Stratford-upon-Avon and Shakespeare, beginning with Shakespeare-related testimony from people who had a provable personal connection to Stratford-upon-Avon and Shakespeare: William Camden, Michael Drayton, Shakespeare's son-in-law, Dr John Hall, and Shakespeare’s daughters. You’ll consider the question of his daughters’ literacy, and whether has any bearing on the authorship question. You’ll look at what are claimed to be local Warwickshire references in the plays, which have been used to support the traditional authorship attribution. And finally, you’ll consider the monument erected to Shakespeare in Stratford’s Holy Trinity Church, arguments that it was altered in the 18th century, and the three texts engraved on that monument and the connected grave.
C 1.1 Stratford-upon-Avon and William Camden•6 minutes
C 1.2 Stratford-upon-Avon, Drayton and Dr Hall•10 minutes
C 1.3 Stratford-upon-Avon's New Vicar•8 minutes
C 1.4 Shakspere's Lodger•6 minutes
C 2.1 Shakspere's Literacy•5 minutes
C 2.2 Shakspere's Daughters' Literacy 1•8 minutes
C 2.3 Shakspere's Daughters' Literacy 2•5 minutes
C 2.4 Shakespeare's Education•10 minutes
C 3.2 Shakespeare and Stratford - Shrewish places•6 minutes
C 3.3 Shakespeare and Stratford - The Shrew's Induction•6 minutes
C 3.4 Shakespeare and Stratford - Dialect words•8 minutes
C 4.1 The Stratford Monument - Introduction•3 minutes
C 4.2 Stratford and the William Basse Elegy•4 minutes
C 4.3 Was the Stratford Monument Altered?•10 minutes
C 4.4 Analysis of the Monument Poem•8 minutes
C 4.5 Analysis of the Latin Lines•9 minutes
C 5.1 Interview with Alexander Waugh - Part 2•9 minutes
C 5.2 Interview with Gregory Thompson Part 2•8 minutes
C 5.3 Interview with Gregory Thompson Part 3•8 minutes
C 5.4 Interview with Peter Dawkins Part 1•7 minutes
C 5.5 Interview with Peter Dawkins Part 2•5 minutes
C 5.6 Module Summary•3 minutes
2 readings•Total 20 minutes
C 2.6 Addendum•10 minutes
C 3.1 Shakespeare and Stratford - Bardolph and Fluellen•10 minutes
4 assignments•Total 120 minutes
C 1.5 Stratford Connections•30 minutes
C 2.5 Literacy and Education•30 minutes
C 3.5 Warwickshire references in Shakespeare•30 minutes
C 4.6 The Stratford Monument•30 minutes
1 discussion prompt•Total 10 minutes
(Optional) C 5.7 The Stratford-upon-Avon evidence•10 minutes
The First Folio as Proof of Authorship
Module 4•4 hours to complete
Module details
In this final module you’ll explore the key text supporting the traditional attribution of Shakespeare’s works: the 1623 First Folio of Shakespeare’s works. You will learn why the First Folio is a critically important text for those interested in the Shakespeare authorship question, and you will study in detail – applying the textual analysis skills you have developed so far - the texts included in its preface..
The University of London is a federal University which includes 17 world leading Colleges. With extensive experience in distance learning since 1858, University of London has enriched the lives of thousands of students, delivering high quality degrees across the globe. Today, University of London is a global leader in flexible study, offering degree programmes to over 45,000 students in over 190 countries, delivering world-leading research across the world. To find out more about University of London, visit www.london.ac.uk
Championing research-rich degrees that provoke thought, stretch the imagination and tap into tomorrow’s world, at Goldsmiths we’re asking the questions that matter now in subjects as diverse as the arts and humanities, social sciences, cultural studies, computing, and entrepreneurial business and management. We are a community defined by its people: innovative in spirit, analytical in approach and open to all.
OK
Why people choose Coursera for their career
Felipe M.
Learner since 2018
"To be able to take courses at my own pace and rhythm has been an amazing experience. I can learn whenever it fits my schedule and mood."
Jennifer J.
Learner since 2020
"I directly applied the concepts and skills I learned from my courses to an exciting new project at work."
Larry W.
Learner since 2021
"When I need courses on topics that my university doesn't offer, Coursera is one of the best places to go."
Chaitanya A.
"Learning isn't just about being better at your job: it's so much more than that. Coursera allows me to learn without limits."
Learner reviews
4.7
261 reviews
5 stars
81.22%
4 stars
13.40%
3 stars
1.53%
2 stars
0.38%
1 star
3.44%
Showing 3 of 261
V
VS
4·
Reviewed on Jul 13, 2020
A Very Detailed Course on this existing question. The content was good, solid, and the quizzes were slightly tricky.
K
KG
5·
Reviewed on Apr 26, 2023
I was completely unaware of the controversy around Shakespeare and found this course fascinating. Recommended to anyone open to re-evaluating what you thought you knew about the playwright.
R
RH
5·
Reviewed on Nov 24, 2022
Fascinating course! wonderful professor who was like a private investigator, probing while encouraging us to think and be open minded
When will I have access to the lectures and assignments?
To access the course materials, assignments and to earn a Certificate, you will need to purchase the Certificate experience when you enroll in a course. You can try a Free Trial instead, or apply for Financial Aid. The course may offer 'Full Course, No Certificate' instead. This option lets you see all course materials, submit required assessments, and get a final grade. This also means that you will not be able to purchase a Certificate experience.
What will I get if I purchase the Certificate?
When you purchase a Certificate you get access to all course materials, including graded assignments. Upon completing the course, your electronic Certificate will be added to your Accomplishments page - from there, you can print your Certificate or add it to your LinkedIn profile.
Is financial aid available?
Yes. In select learning programs, you can apply for financial aid or a scholarship if you can’t afford the enrollment fee. If fin aid or scholarship is available for your learning program selection, you’ll find a link to apply on the description page.